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		<id>https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Chapter_7&amp;diff=1163</id>
		<title>Chapter 7</title>
		<link rel="alternate" type="text/html" href="https://inherent-vice.pynchonwiki.com/wiki/index.php?title=Chapter_7&amp;diff=1163"/>
		<updated>2009-08-22T20:36:51Z</updated>

		<summary type="html">&lt;p&gt;Gregoryfeeley: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{{Inherent Vice PbP Text}}&lt;br /&gt;
&lt;br /&gt;
==Page 89==&lt;br /&gt;
&#039;&#039;&#039;Ginger . . . Skipper . . . Gilligan . . . Thurston Howell III . . . Lovey&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
All characters from the TV show &#039;&#039;Gilligan&#039;s Island&#039;&#039;. See below for more references to this iconic show. &lt;br /&gt;
&lt;br /&gt;
==Page 90==&lt;br /&gt;
&#039;&#039;&#039;Charlotte Amalie&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
The largest city and capital of the [http://en.wikipedia.org/wiki/Charlotte_Amalie,_United_States_Virgin_Islands US Virgina Islands].&lt;br /&gt;
&lt;br /&gt;
==Page 91==&lt;br /&gt;
&#039;&#039;&#039;Thomas Arnould&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An error. Should be [http://en.wikipedia.org/wiki/Joseph_Arnould &amp;quot;Joseph Arnould&amp;quot;], who wrote &#039;&#039;Law of Marine Insurance&#039;&#039; (1848). &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Theophilus Parsons&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
There were two men ([http://en.wikipedia.org/wiki/Theophilus_Parsons father] and [http://en.wikipedia.org/wiki/Theophilus_Parsons_(professor) son]) named Theopilus Parsons in the nineteenth century. This reference is to the younger one, who published &amp;lt;i&amp;gt;A Treatise on the Law of Marine Insurance and General Average&amp;lt;/i&amp;gt; in 1868.&lt;br /&gt;
&lt;br /&gt;
==Page 92==&lt;br /&gt;
&#039;&#039;&#039;L&#039;ll buddy&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Another reference to &#039;&#039;Gilligan&#039;s Island&#039;&#039;. &amp;quot;L&#039;il buddy&amp;quot; was the captain&#039;s nickname for Gilligan. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Eel Trovatore&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
A perhaps obvious pun on &amp;lt;i&amp;gt;Il Trovatore&amp;lt;/i&amp;gt;, the Verdi opera.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Burke Stodger&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
This name is likely derived from a 1910 &#039;&#039;noir&#039;&#039;-ish murder-mystery novel &#039;&#039;Paternoster Ruby&#039;&#039; by Charles Edmonds Walk. Alexander Stilwell Burke and Stodger, a plain-clothes cop, are two main characters. [http://books.google.com/books?id=kd54UWt8QC0C&amp;amp;dq=paternoster+ruby+charles+edmonds+walk&amp;amp;printsec=frontcover&amp;amp;source=bl&amp;amp;ots=mfkqjKBGj4&amp;amp;sig=KGhSLPxiRPQqvVPLhOQ5WNEzSE8&amp;amp;hl=en&amp;amp;ei=mfBrStfrF4uAsgPltqmWBQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1 Google Books] Perhaps Pynchon&#039;s slyly recycling here some unused stuff from his vast research for &#039;&#039;Against the Day&#039;&#039;? A excerpt from Walk&#039;s novel:&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Nasty case,&amp;quot; Stodger was imparting, in queer staccato sentences. &amp;quot;Shouldn&#039;t have much difficulty, though; responsibility lies between two men.  Here all last night.  Nobody else.  Callahan and O&#039;Brien holdin&#039; &#039;em.  One &#039;s Page&#039;s private secretary; fellow named Burke &amp;amp;#151; Alexander Stilwell Burke.  Peach of a monicker, ain&#039;t it?  Has all three sections on his cards.&lt;br /&gt;
&lt;br /&gt;
:[...]&lt;br /&gt;
&lt;br /&gt;
:Suddenly she snuggled closer and clasped her hands tightly upon my shoulder.  Her hair teased my cheek, and the delicate perfume of it made me light-headed.  Twisting her pretty head sideways, she flashed an arch look at me from under her lashes, then glanced quickly away again.  Blue eyes and long dark lashes are a potently disturbing combination.&lt;br /&gt;
&lt;br /&gt;
:&amp;quot;Well,&amp;quot; she sighed, &amp;quot;the Page case may have cost you a fortune, but &amp;amp;#151; it gave you &#039;&#039;me&#039;&#039;.  And &#039;&#039;I&#039;&#039; &amp;amp;#151; for one &amp;amp;#151; am very content and happy, Mr. Swift.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
==Page 93==&lt;br /&gt;
&#039;&#039;&#039;a three-hour tour&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Yet another reference to &#039;&#039;Gilligan&#039;s Island&#039;&#039;. This is a quote from the [http://www.youtube.com/watch?v=qycmb7_LvsA theme song]. &lt;br /&gt;
&lt;br /&gt;
==Page 97==&lt;br /&gt;
&#039;&#039;&#039;Philip Marlowe&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Raymond Chandler&#039;s famous detective, featured in Chandler&#039;s many novels set in LA, including &#039;&#039;The Big Sleep&#039;&#039; (1939; his first appearance), &#039;&#039;Farewell My Lovely&#039;&#039;, and &#039;&#039;The Long Goodbye&#039;&#039;.  [http://en.wikipedia.org/wiki/Philip_Marlowe] There are many important parallels between Pynchon&#039;s Doc and Chandler&#039;s Marlowe, especially his world-weariness, his fondness for certain drugs of choice, and a penchant for cracking wise and getting beaten up and worse.  (John D. MacDonald&#039;s fictional detective Travis McGee is also an important predecessor; see below).  Of all Chandler&#039;s fiction, &#039;&#039;Farewell My Lovely&#039;&#039; (1940), which many think is Chandler&#039;s best, may be most relevant for the plot and themes of &#039;&#039;Inherent Vice&#039;&#039;.  For instance, in that novel Marlowe stays in a hotel in Venice Beach before going out to Laird Brunette&#039;s offshore gambling boat, the &#039;&#039;Montecino&#039;&#039;.  &#039;&#039;Farewell My Lovely&#039;&#039; also has &amp;quot;rehab&amp;quot; centers that serve as a front for torture and murder; characters with hidden identities; an impossibly convoluted plot; and a literary style that features striking metaphors, similes, and literary allusions.  Marlowe is, like Doc, a dark mixture of cynicism, doggedness, and indifference--yet his goodness and inherent virtues can&#039;t be killed.  To trace the parallels with Chandler&#039;s Marlowe, though, is to see how fully Pynchon has transformed and deepened the generic conventions of 1930s and &#039;40s detective fiction (and film noir inspired by it) even as he pays homage to these.  &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Sam Spade&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Dashiell Hammett&#039;s detective in &#039;&#039;The Maltese Falcon&#039;&#039; (1930) and other crime fiction; in John Huston&#039;s famous film based on the novel, he&#039;s played by Humphrey Bogart. [http://en.wikipedia.org/wiki/Sam_Spade]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Johnny Staccato&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&#039;&#039;Johnny Staccato&#039;&#039; is a private detective series which ran for twenty-seven episodes on NBC from 1959-1960. Title character Johnny Staccato, played by John Cassavetes (1929-1989), is a jazz pianist/private detective. [http://en.wikipedia.org/wiki/Johnny_Staccato]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Krazy Kat&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Krazy_Kat &#039;&#039;Krazy Kat&#039;&#039;] was a popular comic strip that ran in newspapers from 1913 to 1944. Ignatz and Offisa Pupp are characters.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Steve McGarrett&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
Detective in the TV show [http://en.wikipedia.org/wiki/Hawaii_Five-O &#039;&#039;Hawaii Five-0&#039;&#039;], important to both &#039;&#039;Vineland&#039;&#039; and &#039;&#039;Inherent Vice.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Why not get a houseboat up in the Sacramento Delta--smoke, drink, fish, fuck...&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
It&#039;s tough not to see this as a nod to Doc&#039;s brother shamus Travis McGee, the creation of Florida writer John D. MacDonald.  McGee lives on a houseboat, taking his &amp;quot;retirement in installments,&amp;quot; drinking, lounging on Florida beaches, meeting and inevitably helping beautiful women out of troubles that almost always involve a sinister land broker or two.  Along the way Trav usually ends up pontificating about rapacious land developers, the increasingly artificial and isolated American lifestyle, and people&#039;s loss of connection with the natural world.  [http://en.wikipedia.org/wiki/Travis_McGee]&lt;br /&gt;
&lt;br /&gt;
==Page 98==&lt;br /&gt;
&#039;&#039;&#039;[T]he engine sounds were not passing across the sky where they should have . . .&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
An apparent allusion to the opening line of &#039;&#039;Gravity&#039;s Rainbow&#039;&#039;. As a consequence of this, &amp;quot;everybody&#039;s dreams got disarranged,&amp;quot; which also seems to be happening on &#039;&#039;GR&#039;s&#039;&#039; first page&lt;br /&gt;
&lt;br /&gt;
==Page 99==&lt;br /&gt;
&#039;&#039;&#039;riding goofyfoot&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
This is a surfing/skateboarding term for someone who rides left-footed. So-called regular foot riders keep their left foot at the front of the board, but goofyfoot riders put their right foot at the front. More [http://en.wikipedia.org/wiki/Footedness here].&lt;br /&gt;
&lt;br /&gt;
==Page 100==&lt;br /&gt;
&#039;&#039;&#039;a surfer or two who&#039;d found and ridden other breaks [...] unphotographed and unrecorded&#039;&#039;&#039;&amp;lt;br /&amp;gt;&lt;br /&gt;
Even though Pynchon&#039;s reference to Mavericks would seem an anachronism, as no one other than a couple surfers had even tried Mavericks until Jeff Clark began riding the gigantic break in 1975, alone, until 1990 when he convinced some other surfers to check it out, this description would seem to fit Jeff Clark perfectly, discovering and surfing, alone, some of the largest waves on the planet. [http://en.wikipedia.org/wiki/Jeff_Clark Jeff Clark Wikipedia entry...] Pynchon himself, as we all know, likes to remain unphotographed.&lt;br /&gt;
&lt;br /&gt;
==Page 101==&lt;br /&gt;
&#039;&#039;&#039;Surfaris laugh . . . &amp;quot;Hooo-oo-oo-oo---Wipeout!&amp;quot;&#039;&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
[http://en.wikipedia.org/wiki/Wipe_Out_(song) &amp;quot;Wipe Out&amp;quot;] was a 1962 hit originally performed by the Surfaris. You can hear the song, including the insane laugh, [http://www.youtube.com/watch?v=UofdWQG346k here].&lt;br /&gt;
&lt;br /&gt;
{{Inherent Vice PbP}}&lt;/div&gt;</summary>
		<author><name>Gregoryfeeley</name></author>
	</entry>
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