Difference between revisions of "Chapter 8"
Mdstockstill (Talk | contribs) (→Page 121: clarified context of Liddy detail) |
|||
Line 11: | Line 11: | ||
[[File:1969Oldsmobile.jpg|thumb|right|1969 Oldsmobile, photo by [http://commons.wikimedia.org/wiki/File:1969_Oldsmobile_Ninety-Eight-3.jpg Stripedtomato]]] | [[File:1969Oldsmobile.jpg|thumb|right|1969 Oldsmobile, photo by [http://commons.wikimedia.org/wiki/File:1969_Oldsmobile_Ninety-Eight-3.jpg Stripedtomato]]] | ||
Leo and Elmina Sportello's 1969 Oldsmobile | Leo and Elmina Sportello's 1969 Oldsmobile | ||
+ | |||
==Page 116== | ==Page 116== | ||
Line 49: | Line 50: | ||
'''the P-DIDdies'''<br> | '''the P-DIDdies'''<br> | ||
A (deliberately) lame joke. [http://en.wikipedia.org/wiki/Puff_daddy Sean Combs] is a rapper, producer, and entrepreneur whose stage names include Diddy, Puff Daddy, and P. Diddy. | A (deliberately) lame joke. [http://en.wikipedia.org/wiki/Puff_daddy Sean Combs] is a rapper, producer, and entrepreneur whose stage names include Diddy, Puff Daddy, and P. Diddy. | ||
+ | |||
+ | |||
+ | ==Page 123== | ||
+ | '''Rick Doppel'''<br> | ||
+ | |||
+ | 'Doppel' means 'double' in German and might refer here to the 'doppelganger'-motif or shifting identities in a more general way. The theme seems to be prominent in this chapter. The films mentioned on p.115 belong in this context, for example. In ''Black Narcissus'', Kathleen Byron's character, Sister Ruth, can be seen as the dark double of Deborah Kerr's Sister Clodagh. In Robert Wiene's ''Das Cabinet des Dr. Caligari'', the somnambulist Cesare commits crimes when he is under the hypnotic spell of the title figure; Caligari himself may be director of a circus attraction or of a psychiatric hospital. In Fritz Lang's ''Metropolis'', a character called Maria is replaced by a robot. | ||
{{Inherent Vice PbP}} | {{Inherent Vice PbP}} |
Revision as of 08:33, 14 August 2009
- Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.
Page numbers refer to editions with 369 pages, where the story begins on page 1. Not sure if there are other editions with variant pagination. Please let us know otherwise.
Page 111
Arbolada Savings and Loan in Ojai
While the actual bank is apparently fictional, there is a neighborhood in the Ojai Valley named "Arbolada." It is, at least today, one the most expensive and desirable neighborhoods in the area. In Spanish, "arbolada" refers to a woodland.
Theosophists
Theosophy is a doctrine of religious philosophy (according to Wikipedia) which holds that all religions are related to a higher truth. The Theosophical Society in America operates an institute called Krotona in Ojai, near the fictional Chryskylodon.
Page 113
Leo and Elmina Sportello's 1969 Oldsmobile
Page 116
Cora Smith
Also from the novel The Postman Always Rings Twice. This is another detective favorite of Pynchon from James M. Cain (1892-1977), the other being Double Indemnity. Cora, a femme fatale figure, is tired of her life, married to an older man she doesn't love and working in a diner that she wishes she could own and improve. She meets a young drifter, Frank Chambers, and they very soon begin a passionate affair and eventually scheme to murder Cora's husband in order to start a new life together without Cora losing the diner.
The 1946 movie version starred John Garfield, making this one of the more oblique of Pynchon's numerous references to Garfield in this book.
Page 117
a maroon 289 Mustang
Sauncho's classic beach-town ride.
Page 119
Charlie the fucking Tuna
Charlie the Tuna is a cartoon character and mascot for StarKist Tuna. You can see his "designer shades" and "beret" here.
single up all lines
A phrase frequently used by Pynchon in all his novels except Vineland, likely because of its multiple meanings, metaphorically.
- "single up all lines" is used in its normal nautical context in V., pp. 11 & 438; The Crying of Lot 49, p.31; Gravity's Rainbow, p.489; Mason & Dixon, pp.258 and 260; and Against the Day, p.3. Perhaps we can understand this "line" as a text-string linking Pynchon's novels together (all but Vineland?). Of course, the fact that Vineland doesn't include the phrase sort of throws a spanner in the works, as far as assigning meaning!
Page 121
yet another Hitler documentary
The "another" implies that they had watched other Hitler documentaries - the most famous being Leni Riefenstahl's Triumph of the Will. The description of the Nixon rally that Doc is watching has similarities to Triumph.
One of Pynchon's research materials for writing Gravity's Rainbow was a book called From Caligari to Hitler by Siegfried Kracauer.
Note that Triumph of the Will was a favorite film of G. Gordon Liddy, a main figure in the Watergate scandal that enveloped President Nixon, whose televised rally Penny mistakes for a Hitler documentary.
Page 122
fuck Spiro, too!
Spiro Agnew was Nixon's Vice President.
Anybody know the dog's name?
Yes. Its name was Checkers.
the P-DIDdies
A (deliberately) lame joke. Sean Combs is a rapper, producer, and entrepreneur whose stage names include Diddy, Puff Daddy, and P. Diddy.
Page 123
Rick Doppel
'Doppel' means 'double' in German and might refer here to the 'doppelganger'-motif or shifting identities in a more general way. The theme seems to be prominent in this chapter. The films mentioned on p.115 belong in this context, for example. In Black Narcissus, Kathleen Byron's character, Sister Ruth, can be seen as the dark double of Deborah Kerr's Sister Clodagh. In Robert Wiene's Das Cabinet des Dr. Caligari, the somnambulist Cesare commits crimes when he is under the hypnotic spell of the title figure; Caligari himself may be director of a circus attraction or of a psychiatric hospital. In Fritz Lang's Metropolis, a character called Maria is replaced by a robot.
Chapter 1 pp. 1-18 |
Chapter 2 pp. 19-45 |
Chapter 3 pp. 46-49 |
Chapter 4 pp. 50-54 |
Chapter 5 pp. 55-67 |
Chapter 6 pp. 68-88 |
Chapter 7 pp. 89-110 |
Chapter 8 pp. 111-123 |
Chapter 9 pp. 124-153 |
Chapter 10 pp. 154-162 |
Chapter 11 pp. 163-185 |
Chapter 12 pp. 186-206 |
Chapter 13 pp. 207-234 |
Chapter 14 pp. 235-255 |
Chapter 15 pp. 256-274 |
Chapter 16 pp. 275-295 |
Chapter 17 pp. 296-314 |
Chapter 18 pp. 315-342 |
Chapter 19 pp. 343-350 |
Chapter 20 pp. 351-363 |
Chapter 21 pp. 364-369 |