Difference between revisions of "Chapter 14"
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means Fate or fortune, but note also the other meanings below connected both to the history of the Vegas strip detailed here and to a certain earlier novel by Mr. Pynchon with "Lot" in the title:<br> | means Fate or fortune, but note also the other meanings below connected both to the history of the Vegas strip detailed here and to a certain earlier novel by Mr. Pynchon with "Lot" in the title:<br> | ||
''Turkish, from Persian qismat; from Arabic qisma, lot; from qasama, to divide.'' | ''Turkish, from Persian qismat; from Arabic qisma, lot; from qasama, to divide.'' | ||
| − | |||
'''"page right out of history," as the Flintstones might say'''<br /> | '''"page right out of history," as the Flintstones might say'''<br /> | ||
| Line 19: | Line 18: | ||
==Page 237== | ==Page 237== | ||
'''Qiana minidress'''<br> | '''Qiana minidress'''<br> | ||
| − | Qiana: silky nylon made by DuPont that swept the fashion world in the 1970s. | + | [http://en.wikipedia.org/wiki/Qiana Qiana]: silky nylon made by DuPont that swept the fashion world in the 1970s. Fake-silk shiny material often used in bold patterns and, yes, disco-clothing/costumes. Difficult to tailor, apparently. Trust me, you'll know it when you see it. |
| + | |||
| + | '''Wrong shoes.'''<br> | ||
| + | As Doc himself pointed out on page 21, when Jade asked if he was a cop. | ||
==Page 238== | ==Page 238== | ||
'''lines of latitude'''<br> | '''lines of latitude'''<br> | ||
Impossible not to think of ''Mason & Dixon'' here. | Impossible not to think of ''Mason & Dixon'' here. | ||
| + | |||
| + | '''bespoke suit'''<br> | ||
| + | [http://en.wikipedia.org/wiki/Bespoke Haute couture for men.] This could be a very expensive suit considering it was custom made for the individual, starting from hand-picked fabrics, and "created without use of a pre-existing pattern." Sign of a man who's really into suits, in other words. | ||
'''Aimee Semple McPherson-type'''<br> | '''Aimee Semple McPherson-type'''<br> | ||
Evangelist, very popular in the 20's and 30's, founder of the Foursquare Church. | Evangelist, very popular in the 20's and 30's, founder of the Foursquare Church. | ||
She's mentioned here because she was allegedly abducted, only to escape several days later and stumble out of the Arizona desert. But her stories had some holes and raised a lot of questions. Read more [http://en.wikipedia.org/wiki/Aimee_Semple_Mcpherson#Reported_abduction here]. | She's mentioned here because she was allegedly abducted, only to escape several days later and stumble out of the Arizona desert. But her stories had some holes and raised a lot of questions. Read more [http://en.wikipedia.org/wiki/Aimee_Semple_Mcpherson#Reported_abduction here]. | ||
| + | |||
| + | ==Page 239== | ||
| + | '''gumsandal'''<br> | ||
| + | Obvious joke on a hippie, sandal wearing, private investigator, but also, just perhaps, with a hint of Dashiel Hammett's infamous [http://en.wiktionary.org/wiki/gunsel 'gunsel.'] [http://www.youtube.com/watch?v=RjWKPdDk0_U Listen] to Pynchon himself say 'gumsandal' on the video promo to Inherent Vice. | ||
| + | |||
| + | '''Marty Robbins'd call ''foul evil deeds.'''''<br> | ||
| + | [http://en.wikipedia.org/wiki/Marty_Robbins Marty Robbins'] hit country song [http://www.youtube.com/watch?v=2bwoGbpYXRw El Paso.] | ||
==Page 244== | ==Page 244== | ||
'''Casey Kasem's Saturday-morning Shaggy voice'''<br> | '''Casey Kasem's Saturday-morning Shaggy voice'''<br> | ||
That's right. Legendary radio host [http://en.wikipedia.org/wiki/Casey_Kasem Casey Kasem] was the voice of Shaggy on the original ''Scooby Doo'' cartoon, which premiered in 1969. How many Scooby Doo references does this make? | That's right. Legendary radio host [http://en.wikipedia.org/wiki/Casey_Kasem Casey Kasem] was the voice of Shaggy on the original ''Scooby Doo'' cartoon, which premiered in 1969. How many Scooby Doo references does this make? | ||
| + | |||
| + | ==Page 245== | ||
| + | '''settled in in front of ''All-Nite Freaky Features'''''<br> | ||
| + | Late night, Wednesday, April 29, 1970. | ||
| + | |||
| + | ==Page 246== | ||
| + | '''awakening next morning to Henry Kissinger'''<br> | ||
| + | Morning, Thursday, April 30, 1970 | ||
==Page 247== | ==Page 247== | ||
| + | |||
| + | '''a duet of the Ethel Merman favorite "You're Not Sick, You're Just In Love" from ''Call Me Madam'' | ||
| + | Originally a duet, sung by Merman and Russell Nype, in Irving Berlin's score for the 1950 show. | ||
| + | |||
'''tiptoein through no tulips'''<br> | '''tiptoein through no tulips'''<br> | ||
| − | Another reference to Tiny Tim. | + | Another reference to Tiny Tim. |
==Page 248== | ==Page 248== | ||
'''et cetera et cetera, and so forth as the King of Siam always sez'''<br> | '''et cetera et cetera, and so forth as the King of Siam always sez'''<br> | ||
| − | + | In the 1956 film ''The King and I'', Yul Brynner, who played King Mongkut of Siam, repeatedly used the phrase "et cetera, et cetera, et cetera" to characterize the King as wanting to impress with his great knowledge of many things and his importance in not having to detail them. This was based upon the usage in the book ''Anna and the King of Siam'' which related the real king's playful interest in numerous things, with the phrase, "&c, &c" (used often by Pynchon). | |
| + | |||
| + | '''Evening came, taking everybody by surprise.'''<br> | ||
| + | Evening, Thursday, April 30,1970. | ||
| + | |||
| + | ==Page 249== | ||
| + | |||
| + | '''Rosa Eskenazi'''<br /> | ||
| + | Eskenazi (1890-1980) was a famous Greek singer of Rebetiko and traditional Greek music from Asia Minor. Her recording career extended from the late 1920s into the 1970s. Her style was called Rebetiko, a type of Greek urban folk music that combines European and Middle Eastern music, and sometimes called the Greek blues, the themes being predominantly hard-luck women, no-good men, drinking, hashish and poverty. | ||
| + | |||
| + | '''Bessie Smith'''<br /> | ||
| + | Smith (1894–1937) was an American blues singer. Sometimes referred to as "The Empress of the Blues," she is often regarded as one of the greatest singers of her era and a major influence on subsequent jazz vocalists. [http://en.wikipedia.org/wiki/Bessie_Smith Wikipedia] | ||
| + | |||
| + | '''''rembetissas'''''<br /> | ||
| + | female singers of Rebetiko music (see Rosa Eskenazi above) | ||
| + | |||
| + | '''and in first light got to the turnoff'''<br> | ||
| + | Dawn, Friday, May 1, 1970. | ||
| + | |||
| + | ==Page 250== | ||
| + | |||
| + | '''Romex'''<br> | ||
| + | According to [http://en.wikipedia.org/wiki/Romex Wikipedia:] A trademarked brand of power cable, often used in a generic sense to refer to any non-metallic sheathed electrical cable. | ||
| + | |||
| + | '''Riggs Warbling with a couple weeks' start on a beard'''<br> | ||
| + | I'm hoping that this will help to connect the timelines of the first and second halves of the book. | ||
==Page 251== | ==Page 251== | ||
'''more space, judging from the outside, than there could possibly be in here.'''<br> | '''more space, judging from the outside, than there could possibly be in here.'''<br> | ||
| − | Remember the house and the carriage from Mason & Dixon? | + | Remember the [http://masondixon.pynchonwiki.com/wiki/index.php?title=Chapter_35:_349-361#Page_354 house and the carriage from ''Mason & Dixon'']? |
| + | |||
| + | ==Page 253== | ||
| + | '''They left him watching ''Let's Make a Deal''''' | ||
| + | <br>Midday, Friday, May 1, 1970. | ||
| + | |||
| + | '''WELCOME TOOBFREEX! BEST CABLE IN TOWN!''''' | ||
| + | <br>"[T]ime-zone issues" and "a strange hiccup in space-time" indeed. The date is 1970 and cable TV is rare and usually not so encyclopedic in its offerings as Doc finds available from this motel. According to [http://en.wikipedia.org/wiki/Cable_television_in_the_United_States Wikipedia on U.S. cable TV history], "In 1975, HBO (Home Box Office) was the first cable network to be delivered nationwide by satellite transmission. Prior to this, starting in 1972, it had been quietly providing pay programming to CATV systems in Pennsylvania and New York, using microwave technology for transmission. HBO was also the first true premium cable (or "pay-cable") network. However, there were notable precursors to premium cable in the pay-television industry that operated during the 1950s and 1960s (with a few systems lingering until 1980)." Via this mysterious motel's own version of premium cable, then, Doc seems to have entered a worm-hole in Time and traveled into the future, allowing him to preview the explosion of cable TV offerings for premium subscribers (including re-runs of favorite shows from the '50s and '60s) that proliferated only well after 1970. This time-travel moment enables Pynchon to revel in the great cornucopia of "video universe" references that spills out onto the next page. But the tone of the passage darkens considerably, despite Doc being mesmerized by cable's illusion of infinite choice and perfect reception/recall (vs. the lousy reception on Rigg's portable black and white TV). Doc senses uneasily that a "parenthesis" in time of what he thought was freedom may be closing, or has already closed.... | ||
| + | |||
| + | While there's something to this - and the text itself does refer to a "strange hiccup in space-time" - no supernatural explanation is necessary. Local cable systems were fairly common in 1970 in areas with poor over-the-air reception. Entrepreuneurs, or in some cases governments, would erect an antenna large enough to pick up broadcast stations, then run cable to local users who otherwise would have no reception at all. Such a system, with a big enough antenna, located near the border between Mountain and Pacific Time, could pick up numerous stations, including network affiliates in different time zones, which would show the most of the same programming, but an hour apart. [http://www.ncta.com/About/About/HistoryofCableTelevision.aspx Note] | ||
==Page 254== | ==Page 254== | ||
| + | '''Ya gonna eat dis toikey!''' <br /> | ||
| + | As [http://www.theauteurs.com/notebook/posts/983 Glenn Kenny] points out, the actual quote is "Cawve da toikey." Was it Pynchon's intention to misquote or a lapse in memory? | ||
| + | |||
'''...Toobfreex at play in the video universe...stubbing it out for good.'''<br> | '''...Toobfreex at play in the video universe...stubbing it out for good.'''<br> | ||
| − | Possible statement of the Inherent Vice that closed "this little parenthesis of light", the Psychedelic Sixties? | + | Possible statement of the Inherent Vice that closed "this little parenthesis of light", the Psychedelic Sixties? |
'''the tropic isle'''<br> | '''the tropic isle'''<br> | ||
| Line 73: | Line 134: | ||
Fred and Doris Zifel's pig on "Green Acres" | Fred and Doris Zifel's pig on "Green Acres" | ||
[http://www.maggiore.net/greenacres/ more info here] | [http://www.maggiore.net/greenacres/ more info here] | ||
| + | |||
| + | ==Page 255== | ||
| + | |||
| + | '''...how a certain hand might reach terribly out of the darkness and reclaim the time, easy as taking a joint from a doper and stubbing it out for good.'''<br> | ||
| + | Can't help thinking about the great [http://en.wikipedia.org/wiki/Fear_and_Loathing_in_Las_Vegas#The_.22wave_speech.22 'wave speech'] from Thompson's "Fear and Loathing in Las Vegas." Worth reading/watching/listening to (pick your format) alongside of "Inherent Vice." [http://www.poetv.com/video.php?vid=23451 Video clip] of Depp reading from it. | ||
| + | |||
| + | '''Doc didn't fall asleep until close to dawn''' | ||
| + | <br>Early morning, Saturday, May 2, 1970. | ||
{{Inherent Vice PbP}} | {{Inherent Vice PbP}} | ||
Latest revision as of 16:16, 12 January 2012
- Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.
Page numbers refer to editions with 369 pages, where the story begins on page 1. Not sure if there are other editions with variant pagination. Please let us know otherwise.
Contents
Page 235
Kismet
means Fate or fortune, but note also the other meanings below connected both to the history of the Vegas strip detailed here and to a certain earlier novel by Mr. Pynchon with "Lot" in the title:
Turkish, from Persian qismat; from Arabic qisma, lot; from qasama, to divide.
"page right out of history," as the Flintstones might say
The Flintstones is animated American television sitcom that ran from 1960 to 1966 on ABC, produced by Hanna-Barbera Productions. The Flintstones theme begins:
- Flintstones. Meet the Flintstones.
- They're the modern stone age family.
- From the town of Bedrock,
- They're a page right out of history.
Page 237
Qiana minidress
Qiana: silky nylon made by DuPont that swept the fashion world in the 1970s. Fake-silk shiny material often used in bold patterns and, yes, disco-clothing/costumes. Difficult to tailor, apparently. Trust me, you'll know it when you see it.
Wrong shoes.
As Doc himself pointed out on page 21, when Jade asked if he was a cop.
Page 238
lines of latitude
Impossible not to think of Mason & Dixon here.
bespoke suit
Haute couture for men. This could be a very expensive suit considering it was custom made for the individual, starting from hand-picked fabrics, and "created without use of a pre-existing pattern." Sign of a man who's really into suits, in other words.
Aimee Semple McPherson-type
Evangelist, very popular in the 20's and 30's, founder of the Foursquare Church.
She's mentioned here because she was allegedly abducted, only to escape several days later and stumble out of the Arizona desert. But her stories had some holes and raised a lot of questions. Read more here.
Page 239
gumsandal
Obvious joke on a hippie, sandal wearing, private investigator, but also, just perhaps, with a hint of Dashiel Hammett's infamous 'gunsel.' Listen to Pynchon himself say 'gumsandal' on the video promo to Inherent Vice.
Marty Robbins'd call foul evil deeds.
Marty Robbins' hit country song El Paso.
Page 244
Casey Kasem's Saturday-morning Shaggy voice
That's right. Legendary radio host Casey Kasem was the voice of Shaggy on the original Scooby Doo cartoon, which premiered in 1969. How many Scooby Doo references does this make?
Page 245
settled in in front of All-Nite Freaky Features
Late night, Wednesday, April 29, 1970.
Page 246
awakening next morning to Henry Kissinger
Morning, Thursday, April 30, 1970
Page 247
a duet of the Ethel Merman favorite "You're Not Sick, You're Just In Love" from Call Me Madam Originally a duet, sung by Merman and Russell Nype, in Irving Berlin's score for the 1950 show.
tiptoein through no tulips
Another reference to Tiny Tim.
Page 248
et cetera et cetera, and so forth as the King of Siam always sez
In the 1956 film The King and I, Yul Brynner, who played King Mongkut of Siam, repeatedly used the phrase "et cetera, et cetera, et cetera" to characterize the King as wanting to impress with his great knowledge of many things and his importance in not having to detail them. This was based upon the usage in the book Anna and the King of Siam which related the real king's playful interest in numerous things, with the phrase, "&c, &c" (used often by Pynchon).
Evening came, taking everybody by surprise.
Evening, Thursday, April 30,1970.
Page 249
Rosa Eskenazi
Eskenazi (1890-1980) was a famous Greek singer of Rebetiko and traditional Greek music from Asia Minor. Her recording career extended from the late 1920s into the 1970s. Her style was called Rebetiko, a type of Greek urban folk music that combines European and Middle Eastern music, and sometimes called the Greek blues, the themes being predominantly hard-luck women, no-good men, drinking, hashish and poverty.
Bessie Smith
Smith (1894–1937) was an American blues singer. Sometimes referred to as "The Empress of the Blues," she is often regarded as one of the greatest singers of her era and a major influence on subsequent jazz vocalists. Wikipedia
rembetissas
female singers of Rebetiko music (see Rosa Eskenazi above)
and in first light got to the turnoff
Dawn, Friday, May 1, 1970.
Page 250
Romex
According to Wikipedia: A trademarked brand of power cable, often used in a generic sense to refer to any non-metallic sheathed electrical cable.
Riggs Warbling with a couple weeks' start on a beard
I'm hoping that this will help to connect the timelines of the first and second halves of the book.
Page 251
more space, judging from the outside, than there could possibly be in here.
Remember the house and the carriage from Mason & Dixon?
Page 253
They left him watching Let's Make a Deal
Midday, Friday, May 1, 1970.
WELCOME TOOBFREEX! BEST CABLE IN TOWN!
"[T]ime-zone issues" and "a strange hiccup in space-time" indeed. The date is 1970 and cable TV is rare and usually not so encyclopedic in its offerings as Doc finds available from this motel. According to Wikipedia on U.S. cable TV history, "In 1975, HBO (Home Box Office) was the first cable network to be delivered nationwide by satellite transmission. Prior to this, starting in 1972, it had been quietly providing pay programming to CATV systems in Pennsylvania and New York, using microwave technology for transmission. HBO was also the first true premium cable (or "pay-cable") network. However, there were notable precursors to premium cable in the pay-television industry that operated during the 1950s and 1960s (with a few systems lingering until 1980)." Via this mysterious motel's own version of premium cable, then, Doc seems to have entered a worm-hole in Time and traveled into the future, allowing him to preview the explosion of cable TV offerings for premium subscribers (including re-runs of favorite shows from the '50s and '60s) that proliferated only well after 1970. This time-travel moment enables Pynchon to revel in the great cornucopia of "video universe" references that spills out onto the next page. But the tone of the passage darkens considerably, despite Doc being mesmerized by cable's illusion of infinite choice and perfect reception/recall (vs. the lousy reception on Rigg's portable black and white TV). Doc senses uneasily that a "parenthesis" in time of what he thought was freedom may be closing, or has already closed....
While there's something to this - and the text itself does refer to a "strange hiccup in space-time" - no supernatural explanation is necessary. Local cable systems were fairly common in 1970 in areas with poor over-the-air reception. Entrepreuneurs, or in some cases governments, would erect an antenna large enough to pick up broadcast stations, then run cable to local users who otherwise would have no reception at all. Such a system, with a big enough antenna, located near the border between Mountain and Pacific Time, could pick up numerous stations, including network affiliates in different time zones, which would show the most of the same programming, but an hour apart. Note
Page 254
Ya gonna eat dis toikey!
As Glenn Kenny points out, the actual quote is "Cawve da toikey." Was it Pynchon's intention to misquote or a lapse in memory?
...Toobfreex at play in the video universe...stubbing it out for good.
Possible statement of the Inherent Vice that closed "this little parenthesis of light", the Psychedelic Sixties?
the tropic isle
"Gilligan's Island" leads, of course, this list of '50s & '60s TV shows
the Long Branch Saloon
"Miss Kitty" Russell's saloon in Dodge City, KS in the long-running "Gunsmoke" more info here
the Starship Enterprise
Captain Kirk's ship on "Star Trek", the cancellation of which sparks protests earlier in the book
Hawaiian crime fantasies
"Hawaii Five-0"
more info here
cute kids...with invisible audiences
Is there anything more more of a "low level bummer" about television than the laugh track? In later decades, it was sometimes replaced by a live audience, and more recently by comedies with neither.
for a defense of the "laugh track"
a slave girl in a bottle
Barbara Eden as Jeannie in "I Dream of Jeannie"
coming 11/09 on DVD
and Arnold the Pig
Fred and Doris Zifel's pig on "Green Acres"
more info here
Page 255
...how a certain hand might reach terribly out of the darkness and reclaim the time, easy as taking a joint from a doper and stubbing it out for good.
Can't help thinking about the great 'wave speech' from Thompson's "Fear and Loathing in Las Vegas." Worth reading/watching/listening to (pick your format) alongside of "Inherent Vice." Video clip of Depp reading from it.
Doc didn't fall asleep until close to dawn
Early morning, Saturday, May 2, 1970.
| Chapter 1 pp. 1-18 |
Chapter 2 pp. 19-45 |
Chapter 3 pp. 46-49 |
Chapter 4 pp. 50-54 |
Chapter 5 pp. 55-67 |
| Chapter 6 pp. 68-88 |
Chapter 7 pp. 89-110 |
Chapter 8 pp. 111-123 |
Chapter 9 pp. 124-153 |
Chapter 10 pp. 154-162 |
| Chapter 11 pp. 163-185 |
Chapter 12 pp. 186-206 |
Chapter 13 pp. 207-234 |
Chapter 14 pp. 235-255 |
Chapter 15 pp. 256-274 |
| Chapter 16 pp. 275-295 |
Chapter 17 pp. 296-314 |
Chapter 18 pp. 315-342 |
Chapter 19 pp. 343-350 |
Chapter 20 pp. 351-363 |
| Chapter 21 pp. 364-369 |
