Difference between revisions of "Chapter 5"

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'''Bonzo Dog Band'''<br />
 
'''Bonzo Dog Band'''<br />
Located in the aesthetic cracks somewhere between the Goons and Monty Python, Spike Jones and Spinal Tap, The Bonzo Dog Band [formerly The Bonzo Doo-Dah Dog Band] was sometimes [incorrectly] cited as Britain's answer to Frank Zappa, The Bonzo Dog Band were the all-time masters of musical surrealism and not inconsequentially the Beatles favorite band. The Bonzo's performance of Sonny Bono's "Bang Bang [My Baby Shot Me Down]" appears as a bonus track on the 2007 reissue of their album "The Doughnut in Granny's Greenhouse."[http://en.wikipedia.org/wiki/Bonzo_Dog_Doo-Dah_Band Wikipedia]<br />
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Located in the aesthetic cracks somewhere between the Goons and Monty Python, Spike Jones and Spinal Tap, The Bonzo Dog Band [formerly The Bonzo Doo-Dah Dog Band] was sometimes [incorrectly] cited as Britain's answer to Frank Zappa, The Bonzo Dog Band were the all-time masters of musical surrealism and not inconsequentially the Beatles favorite band. The Bonzo's performance of Sonny Bono's "Bang Bang [My Baby Shot Me Down]" appears as a bonus track on the 2007 reissue of their album "The Doughnut in Granny's Greenhouse."[http://en.wikipedia.org/wiki/Bonzo_Dog_Doo-Dah_Band Wikipedia]<br />A "surfadelic" version of "Bang Bang" is included on Shadowy Men on a Shadowy Planet's 1991 album "Dim the Lights, Chill the Ham."
 +
 
 
The Bonzos perform "Death Cab For Cutie" on [http://www.youtube.com/watch?v=B9y4vLrHsm4 YouTube]
 
The Bonzos perform "Death Cab For Cutie" on [http://www.youtube.com/watch?v=B9y4vLrHsm4 YouTube]
  

Revision as of 17:46, 7 August 2009

Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.

Page numbers refer to editions with 369 pages, where the story begins on page 1. Not sure if there are other editions with variant pagination. Please let us know otherwise.

Page 56

Bonzo Dog Band
Located in the aesthetic cracks somewhere between the Goons and Monty Python, Spike Jones and Spinal Tap, The Bonzo Dog Band [formerly The Bonzo Doo-Dah Dog Band] was sometimes [incorrectly] cited as Britain's answer to Frank Zappa, The Bonzo Dog Band were the all-time masters of musical surrealism and not inconsequentially the Beatles favorite band. The Bonzo's performance of Sonny Bono's "Bang Bang [My Baby Shot Me Down]" appears as a bonus track on the 2007 reissue of their album "The Doughnut in Granny's Greenhouse."Wikipedia
A "surfadelic" version of "Bang Bang" is included on Shadowy Men on a Shadowy Planet's 1991 album "Dim the Lights, Chill the Ham."

The Bonzos perform "Death Cab For Cutie" on YouTube

KRLA
KRLA, "The Big 11-10", became one of the top radio stations in the Los Angeles area, competing with KFWB and KHJ to be L.A.'s dominant top 40 station. KRLA featured local DJs like Dave Hull (The Hullabalooer), Dick "Huggy Boy" Hugg, Emperor Bob Hudson, Ted Quillin, Bill Ballance, Reb Foster, Casey Kasem, Bob Eubanks, Dick Biondi, Sam Riddle, Dick Moreland, Jimmy O'Neill, Wink Martindale, Johnny Hayes.Wikipedia KRLA was also a major outlet for radio comedy, featuring live broadcasts of Stan Freberg, The Firesign Theater and the Credibility Gap.

Page 58

Robert Moses
Robert Moses (1888 – 1981) was the "master builder" of mid-20th century New York City, Long Island, and Westchester County, New York. His career is summed up by his sayings "cities are for traffic" and "if the ends don't justify the means, what does?" Wikipedia

Dr. Van Helsing
A funny joke here. Helsing is a character in Bram Stoker's Dracula. He's a vampire hunter.

Jimmy Wong Howe
Master cinematographer James Wong Howe, whose career stretched from silent pictures through the mid-'70s, was born Wong Tung Jim in Canton (now Guangzhou), China, on August 28, 1899, the son of Wong How. Wong Howe was famed for his innovations, including putting a cameraman with a hand-held camera on roller skates inside a boxing ring for Body and Soul (1947) to draw the audience into the ring. . . IMDb Howe also was the DP on the very revolutionary film 'the Molly Maguires. /cw?

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where John Garfield is this evil gangster
John Garfield (1913-1952) was an American actor especially adept at playing brooding, rebellious, working-class character roles. He is acknowledged as the predecessor of such Method actors as Marlon Brando, James Dean, and Montgomery Clift. He was active in liberal politics, and when called to testify before the House Committee on Un-American Activities, which was empowered to investigate purported communist infiltration in America, Garfield refused to name communist party members or followers, testifying that, indeed, he knew none in the film industry; Wikipedia entry


Ida Lupino
Ida Lupino (1918 – 1995) was an Anglo-American film actress, director, and a pioneer among women filmmakers. In her forty-eight year career, she appeared in fifty-nine films, and directed nine others. She also appeared in episodic television fifty-eight times and directed fifty other episodes. In addition, she contributed as a writer to five films and four TV episodes. Wikipedia

arrepentimiento
Spanish: n. repentance, penitence, contrition--all concepts important to Inherent Vice. There's also a cool trilingual pun here: "pentimento" (now an English word, but from the Italian for 'repent') refers to an image in a painting that was painted over but then, with time, begins to show through the top layer of represented images. Lots of ways to connect this multi-level word to the plot and themes of Inherent Vice.

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Bucky Fuller
Buckminster Fuller was an American architect and inventor (among other things). He invented the Geodesic dome.


Chapter 1
pp. 1-18
Chapter 2
pp. 19-45
Chapter 3
pp. 46-49
Chapter 4
pp. 50-54
Chapter 5
pp. 55-67
Chapter 6
pp. 68-88
Chapter 7
pp. 89-110
Chapter 8
pp. 111-123
Chapter 9
pp. 124-153
Chapter 10
pp. 154-162
Chapter 11
pp. 163-185
Chapter 12
pp. 186-206
Chapter 13
pp. 207-234
Chapter 14
pp. 235-255
Chapter 15
pp. 256-274
Chapter 16
pp. 275-295
Chapter 17
pp. 296-314
Chapter 18
pp. 315-342
Chapter 19
pp. 343-350
Chapter 20
pp. 351-363
Chapter 21
pp. 364-369
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