Difference between revisions of "Chapter 8"
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'''single up all lines'''<br> | '''single up all lines'''<br> | ||
| − | + | A phrase frequently used by Pynchon in all his novels except ''Vineland'', likely because of its multiple meanings, metaphorically. | |
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| − | + | :"single up all lines" is used in its normal nautical context in [http://v.pynchonwiki.com/wiki/index.php?title=Chapter_1#single_up_all_lines ''V.'', p.11]; [http://cl49.pynchonwiki.com/wiki/index.php?title=Chapter_2#single_up_all_lines ''The Crying of Lot 49'', p.31]; [http://gravitys-rainbow.pynchonwiki.com/wiki/index.php?title=Pages_488-491#single_up_all_lines ''Gravity's Rainbow'', p.489]; [http://masondixon.pynchonwiki.com/wiki/index.php?title=Chapter_26:_257-265#Page_258 ''Mason & Dixon'', pp.258 and 260]; and [http://against-the-day.pynchonwiki.com/wiki/index.php?title=ATD_1-25#Page_3 ''Against the Day'', p.3]. Perhaps we can understand this "line" as a text-string linking Pynchon's novels together (all but [http://vineland.pynchonwiki.com/wiki ''Vineland'']?). Of course, the fact that ''Vineland'' ''doesn't'' include the phrase sort of throws a spanner in the works, as far as assigning ''meaning''! | |
==Page 121== | ==Page 121== | ||
Revision as of 13:54, 8 August 2009
- Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.
Page numbers refer to editions with 369 pages, where the story begins on page 1. Not sure if there are other editions with variant pagination. Please let us know otherwise.
Contents
Page 116
Cora Smith
Also from the novel The Postman Always Rings Twice. This is another detective favorite of Pynchon from James M. Cain (1892-1977), the other being Double Indemnity. Cora, a femme fatale figure, is tired of her life, married to an older man she doesn't love and working in a diner that she wishes she could own and improve. She meets a young drifter, Frank Chambers, and they very soon begin a passionate affair and eventually scheme to murder Cora's husband in order to start a new life together without Cora losing the diner.
Page 119
Charlie the fucking Tuna
Charlie the Tuna is a cartoon character and mascot for StarKist Tuna. You can see his "designer shades" and "beret" here.
single up all lines
A phrase frequently used by Pynchon in all his novels except Vineland, likely because of its multiple meanings, metaphorically.
- "single up all lines" is used in its normal nautical context in V., p.11; The Crying of Lot 49, p.31; Gravity's Rainbow, p.489; Mason & Dixon, pp.258 and 260; and Against the Day, p.3. Perhaps we can understand this "line" as a text-string linking Pynchon's novels together (all but Vineland?). Of course, the fact that Vineland doesn't include the phrase sort of throws a spanner in the works, as far as assigning meaning!
Page 121
yet another Hitler documentary
The "another" implies that they had watched other Hitler documentaries - the most famous being Leni Riefenstahl's Triumph of the Will. The description of the Nixon rally that Doc is watching has similarities to Triumph.
One of Pynchon's research materials for writing Gravity's Rainbow was a book called From Caligari to Hitler by Siegfried Kracauer.
Note that Triumph of the Will was a favorite film of G. Gordon Liddy, a man responsible for the eruption of "Cop" shows on TV and the emergent "War on Drugs" in the early 70's.
Page 122
fuck Spiro, too!
Spiro Agnew was Nixon's Vice President.
Anybody know the dog's name?
Yes. Its name was Checkers.
the P-DIDdies
A (deliberately) lame joke. Sean Combs is a rapper, producer, and entrepreneur whose stage names include Diddy, Puff Daddy, and P. Diddy.
| Chapter 1 pp. 1-18 |
Chapter 2 pp. 19-45 |
Chapter 3 pp. 46-49 |
Chapter 4 pp. 50-54 |
Chapter 5 pp. 55-67 |
| Chapter 6 pp. 68-88 |
Chapter 7 pp. 89-110 |
Chapter 8 pp. 111-123 |
Chapter 9 pp. 124-153 |
Chapter 10 pp. 154-162 |
| Chapter 11 pp. 163-185 |
Chapter 12 pp. 186-206 |
Chapter 13 pp. 207-234 |
Chapter 14 pp. 235-255 |
Chapter 15 pp. 256-274 |
| Chapter 16 pp. 275-295 |
Chapter 17 pp. 296-314 |
Chapter 18 pp. 315-342 |
Chapter 19 pp. 343-350 |
Chapter 20 pp. 351-363 |
| Chapter 21 pp. 364-369 |
