Chapter 5

Please keep these annotations SPOILER-FREE by not revealing information from later pages in the novel.

Page numbers refer to editions with 369 pages, where the story begins on page 1. Not sure if there are other editions with variant pagination. Please let us know otherwise.

Page 56

Bonzo Dog Band
Located in the aesthetic cracks somewhere between the Goons and Monty Python, Spike Jones and Spinal Tap, The Bonzo Dog Band [formerly The Bonzo Doo-Dah Dog Band] was sometimes [incorrectly] cited as Britain's answer to Frank Zappa, The Bonzo Dog Band were the all-time masters of musical surrealism and not inconsequentially the Beatles favorite band. The Bonzo's performance of Sonny Bono's "Bang Bang [My Baby Shot Me Down]" appears as a bonus track on the 2007 reissue of their album "The Doughnut in Granny's Greenhouse."Wikipedia
The Bonzos perform "Death Cab For Cutie" on YouTube

KRLA
KRLA, "The Big 11-10", became one of the top radio stations in the Los Angeles area, competing with KFWB and KHJ to be L.A.'s dominant top 40 station. KRLA featured local DJs like Dave Hull (The Hullabalooer), Dick "Huggy Boy" Hugg, Emperor Bob Hudson, Ted Quillin, Bill Ballance, Reb Foster, Casey Kasem, Bob Eubanks, Dick Biondi, Sam Riddle, Dick Moreland, Jimmy O'Neill, Wink Martindale, Johnny Hayes.Wikipedia KRLA was also a major outlet for radio comedy, featuring live broadcasts of Stan Freberg, The Firesign Theater and the Credibility Gap.

Page 58

Robert Moses

"Robert Moses (December 18, 1888 – July 29, 1981) was the "master builder" of mid-20th century New York City, Long Island, and Westchester County, New York. As the shaper of a modern city, he is sometimes compared to Baron Haussmann of Second Empire Paris, and is one of the most polarizing figures in the history of urban planning in the United States. Although he never held elected office, Moses was arguably the most powerful person in New York state government from the 1930s to the 1950s. He changed shorelines, built roadways in the sky, and transformed neighborhoods forever. His decisions favoring highways over public transit helped create the modern suburbs of Long Island and influenced a generation of engineers, architects, and urban planners who spread his philosophies across the nation. His career is summed up by his sayings "cities are for traffic" and "if the ends don't justify the means, what does?"Wikipedia

Jimmy Wong Howe

"Master cinematographer James Wong Howe, whose career stretched from silent pictures through the mid-'70s, was born Wong Tung Jim in Canton (now Guangzhou), China, on August 28, 1899, the son of Wong How."

. . .Wong Howe was famed for his innovations, including putting a cameraman with a hand-held camera on roller skates inside a boxing ring for Body and Soul (1947) to draw the audience into the ring. . . IMDb

Page 59

where John Garfield is this evil gangster
John Garfield (1913-1952) was an American actor especially adept at playing brooding, rebellious, working-class character roles. He is acknowledged as the predecessor of such Method actors as Marlon Brando, James Dean, and Montgomery Clift. He was active in liberal politics, and when called to testify before the House Committee on Un-American Activities, which was empowered to investigate purported communist infiltration in America, Garfield refused to name communist party members or followers, testifying that, indeed, he knew none in the film industry; Wikipedia entry

Ida Lupino

"Ida Lupino (4 February 1918 – 3 August 1995) was an Anglo-American film actress, director, and a pioneer among women filmmakers. In her forty-eight year career, she appeared in fifty-nine films, and directed nine others. She also appeared in episodic television fifty-eight times and directed fifty other episodes. In addition, she contributed as a writer to five films and four TV episodes. . ."

. . .Lupino became known for her hard-boiled roles, and appeared in such films as They Drive by Night (1940) and High Sierra (1941), both opposite Humphrey Bogart.

Ida Lupino, while on suspension for turning down a role, turned to directing.

. . .In an article for the Village Voice, Carrie Rickey wrote that Lupino was an model of modern feminist moviemaking, stating:

Not only did Lupino take control of production, direction and screenplay, but each of her movies addresses the brutal repercussions of sexuality, independence, and dependence.Wikipedia

arrepentimiento
Spanish: n. repentance, penitence, contrition